All shows that grace the stage of Fairyland’s Storybook Puppet Theater are original productions, featuring scripts, costumes, music, and sets designed by our talented puppeteers. Don’t miss a chance to watch a production at the oldest continuously operating puppet theater in the U.S.
Since we first parted the curtains in 1956, some of the country’s most gifted puppeteers have worked at our theater. The list includes Luman Coad, Frank and Dorothy Hayward, Tony Urbano, and husband-and-wife team Mike and Frances Oznowicz.
The theater’s fourth director, Lewis Mahlmann, held the position from 1967 to 2005. The current theater director, Randal J. Metz, has worked at the park since he was a grade-school apprentice to Lewis Mahlmann. Randal and Lewis shared the director’s job beginning in 1991, and Randal became sole director when Lewis retired in 2005.
2020 Show Schedule
Puppet shows are presented year-round, three times a day (11 a.m., 2 p.m., and 4 p.m.) at the Storybook Puppet Theater. During Fairy Winterland they are presented at 2 p.m., 4 p.m. and 6 p.m. We can’t wait to see you there.
Orca, The First Whale - February 7 - April 5, 2020
A tale from the Northwest Indians about the adventures of a tribesman, the Sea Lion King, and the Fog Woman. Learn how the first whale is born, and how the people are taught to exist with this mighty creature. Adapted by David C. Jones. Scenery & puppets by Lewis Mahlmann.
This story is inspired by the Tlingit, the indigenous peoples of the Pacific Northwest Coast of North America. While it is hundreds of miles away from us, we wish to acknowledge and honor communities native to our region and recognize that Children’s Fairyland is built on indigenous homeland and resources.
Anansi the Spider - April 8 - May 20, 2020
Have you ever wondered how all the stories on earth came to be? This is the African tale of a little spider, who does three large tasks and is rewarded for his effort. Nyame, the Sky God, gives Anansi all the tales of the world to bring back to the people on earth. Based on the popular children’s tale. Scenery by Lewis Mahlmann & Annie Wong. Puppets by Randal Metz.
The Elves & The Shoemaker - May 29 - July 9, 2020
The shoemaker has a problem. Every time he leaves leather on his workbench to make shoes the next morning, someone beats him to it during the night. Who can be making these wonderful shoes? Join the Shoemaker, Cinderella, The Prince, Puss in Boots and the Witch of the North from Oz as they try to find out. Based on the popular Grimms’ tale. Puppets and scenery by Lewis Mahlmann & Patricia Platt. Script by David C. Jones.
A Very Unusual Bear - July 10 - August 30, 2020
Come to Fairyland and meet a bear who can get himself into trouble without even trying. Paddington, a bear from Peru, finds himself alone at Paddington Station in England. Laugh with us as Paddington learns a tough lesson in the tub, tries his paw at being a magician, and of course... enjoys lots of marmalade. The show features English piano music, a script by Randal Metz, designs by Andy Peterson and puppets created by Jesse Vail.
Peter Pan - September 2 - November 1, 2020
James M. Barrie’s fantastic tale of Neverland and Captain Hook sails off the pages of The Storybook Puppet Theater. With Peter, Wendy, Jon and Michael joining in the grand adventure. And don’t forget the most famous mischief-making fairy of all time: Tinkerbell! And be ready to clap your hands if you believe in fairies (and we hope you do)… Puppets and scripts by Lewis Mahlmann. Based on the James M. Barrie novel.
Aladdin & The Magic Lamp - November 6, 2020 - 2021
Aladdin & The Magic Lamp is based on the tales of the Arabian Nights. Aladdin is the story of a young boy who finds a magic lamp that will grant all his wishes. An evil magician tries to steal the lamp and control the magic Genii that grants all the wishes. Come enjoy one of a thousand and one tales told by the Sultana Scheherazade to entertain the Sultan. Script and marionettes by Lewis Mahlmann. Designed by William Stewart Jones with costumes by Francis Oznowicz.
Types of Puppets
The puppeteers of Storybook Puppet Theater use different kinds of puppets to tell their stories. Check the calendar to see what’s on stage during your visit.
Bunraku—In this Japanese form, puppeteers share the stage with their puppets, manipulating them using handles. Complicated puppets require up to three puppeteers.
Hand Puppets—Many classic puppet shows, including Punch and Judy, use hand puppets. The puppeteer manipulates the puppet’s movements with his or her hand.
Marionettes—This very old style of puppetry originated in medieval France and involves puppets moved by strings. Our Hansel and Gretel production features marionettes.
Shadow Puppets—This form originated in Indonesia in ancient times and is sometimes known by the Balinese name “wayang.” Figures are attached to sticks, with the heads left free to swivel.
Some Thoughts on Fairy Tales, Folk Tales… and Puppet Shows
Shadow and Glare
Most of our puppet shows are based on classic fairy tales and folk tales. Some of these stories have been around for more than a thousand years, like Cinderella, which dates back to 9th century China. We have over 150 puppet shows in rotation at Fairyland, and it takes more than a year to create a new one. Thus, many of our shows have been around for quite a long time. American society changes. What we think is suitable for our children changes. But as fantasy expert Jane Yolen has written in her book Touch Magic, one thing about compelling fairy tales stays the same: “The idea that peace and happiness can only exist on some condition” (Yolen 26). If everyone in a story is full of joy from beginning to end, it will not make for a very good puppet show. There is no journey or growth. “A fine story – whether for children or adults – should reflect both dark and light, both shadow and glare” (Yolen 33). It is worth noting that our puppet shows are not just for children and adults; they are for babies, toddlers, pre-schoolers… the whole gamut.
Of course, it is possible for us to change stories to make them more amenable to our modern values. But some degree of tension is necessary. Sometimes this takes the form of suspense, mystery, or a scary or mean character. The protagonist has to use his or her skills to overcome this challenge. The child viewer uses higher order thinking skills to reflect on what they would do in the given situation, watches it unfold, and then judges the outcome. Much like when your child watches a movie or reads a book that introduces new or challenging ideas, one way to help the child process those ideas is to discuss them. They may want to share their feelings about someone being mean or not being a good friend. They may want to say that they don’t like a character because of the way he or she acted. On the other hand, they may say a character was kind or brave, or knew how to share. In the real world we will encounter both people who show us kindness and people who do not, and talking about fictional characters and how they affect each other and us, the viewers, will prepare us for those encounters.
Mediated Learning Experiences
In the psychology world, Dr. Reuven Feuerstein calls this sort of discussion between adult and child a Mediated Learning Experience. One common example of a Mediated Learning Experience happens when you are reading your child a book and stop to examine the illustrations together. Look at that character’s face, you may say. How do you think she is feeling? Oh, you think she is angry? Why is she angry? This sort of mediation slows the child down and helps them process what they see and hear. It prepares them for real-life interactions and makes them better observers and deeper thinkers. Feuerstein believes that intelligence is not fixed, and that mediating learning can increase a child’s brain-power. One of the great things about mediating learning is that parents and teachers are driven to do it not only because it improves critical thinking, but because it is fun! Riding the bus with a child is simply more fun when the two of you are looking around, asking each other questions, noticing the buildings outside of the window, and waiting for the exact right second to ding for your stop.
We Trust Parents
Mediated Learning Experiences can be very powerful, but ultimately, you decide what is right for your child. If you are concerned about a certain puppet show, it is always okay to leave. Furthermore, I welcome dialogue about your concerns, questions, or anything you read about in this article. Please contact Vicky Chen, Director of Community Outreach and Education. Thank you for reading, and enjoy Fairyland!